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TM-002Audio glasses

Open-ear audio glasses

The music-first line of the audio glasses family: each temple carries a directional speaker inside a tuned acoustic chamber, so the wearer hears more and the person next to them hears less.

  • Peak loudnessAbout 75-90 dB SPL, manufacturer stated
  • Leakage controlReverse-phase or chamber design, per acoustic test
  • Call micsDual or quad mic ENC

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TM-002Temple teardown

Temple cross-section, not to scale123456

Frame size52-18-145 mm typical

#ModuleTypical optionsCustom
1Front and lensesTR90, acetate or metal front; clear, filter, polarizedyes
2Hinge and flexMetal hinge with flex cable to both templesno
3Board and chipsetBT 5.3 audio SoC, ENC per firmwareno
4Battery and chargingLi-ion cell per temple, magnetic pogo contactsno
5Audio moduleDirectional speaker, ported chamber, reverse-phase ventyes
6Mics, controls and appDual or quad mics, touch strip, app EQ skinyes

Module list of a typical unit in this line. Chipsets, cells, acoustics and finishes are confirmed on the spec sheet.

Open-ear audio glasses with a temple turned to show the speaker port and acoustic chamber slot near the ear

How open-ear audio glasses deliver sound

An open-ear audio glasses unit places a small directional speaker in each temple, just in front of the ear, and aims it at the ear canal without touching or covering it. The ear stays open to traffic, colleagues and announcements, which is the main reason buyers choose the format over earbuds. The difference between an ordinary Bluetooth audio frame and a true open-ear model is what sits around the speaker: a moulded acoustic chamber, one or more output ports shaped to direct sound forward, and often a second vent that releases sound in reverse phase to cancel some of the energy that would otherwise spread outward.

Across the category, manufacturers state peak sound pressure of about 75 to 90 dB SPL at the ear for this line. Treat that as the manufacturer's figure, measured under its own conditions, not as a value you can compare directly between suppliers. The desk asks partner plants for the test conditions behind the number and repeats a frequency response and leakage check on the golden sample. For the design background, see open-ear speaker design in glasses.

Sound leakage: the variable buyers judge first

An open speaker always leaks some sound. How much depends on chamber volume, port position, the reverse-phase vent and the tuning applied in firmware. Leakage is the complaint that shows up first in reviews, because people notice when a neighbour on a train or in an office can hear the wearer's audio. It is controlled by design and verified by acoustic test, not by a single number on a spec sheet.

Design leverWhat it doesTrade-off
Port position and shapePoints the sound at the ear canalFit window narrows if the head shape differs from the target
Larger acoustic chamberFuller low end and more loudnessThicker temple and slightly more weight
Reverse-phase ventCancels part of the outward soundSome loss of low end; needs careful tuning
Firmware EQ and volume curveLimits leakage at high volumeLower maximum loudness in quiet mode
Temple fit and angleKeeps the port aligned with the earDepends on frame size and hinge spring

The causes and the tuning fixes are covered in sound leakage in audio glasses; the engineering view is on acoustic design.

Microphones and calls

Open-ear models usually carry two or four microphones with environmental noise cancellation (ENC) on the call uplink. Two mics give basic voice pickup; four mics, two per temple, allow beamforming towards the mouth and better rejection of wind and traffic. The real performance depends on the firmware and on mic placement relative to the speaker, because a speaker that sits too close to a microphone creates echo on the far end. The desk includes a call test in noise and wind in the sample review. If calls are the main use case rather than a secondary feature, the business call glasses line is the better starting point.

Options brand owners usually specify

Open-ear is the line most brand owners use as the anchor of a range, because sound quality is where the product is compared on the shelf. The common customisation points are the front shape and lens, the acoustic tuning target, the app EQ presets and branding. A catalog model with a logo stays within 500-1,000 pairs per model; changing the chamber, the port or the tuning target moves the program into full OEM territory, typically from 3,000 pairs per model with an ODM engineering sample of 30-60 days.

  • Lens: clear, filter, polarized or photochromic, with ISO 12312-1 or ANSI Z80.3 as the optical reference.
  • Tuning target: loudness-first, leakage-first or balanced, signed off on the golden sample.
  • App: EQ presets, a quiet mode and firmware OTA, with an app skin in your brand.
  • Packaging: retail box, charging cable and a care card that states the IP rating correctly.

Tests, documents and lead time

Radio and safety follow the same route as the rest of the family: FCC Part 15.247 and Part 15 Subpart B for the US, CE RED 2014/53/EU with EN 300 328, EN 301 489, EN 62368-1 and EN 18031 for the EU, Bluetooth SIG listing, a UN 38.3 summary and IEC 62133-2 for the cells. Water resistance is stated as an IPX4 to IP54 rating tested per IEC 60529. On top of compliance, the order test plan for this line adds speaker frequency response, a leakage check at set volume steps, a call test in noise, hinge cycling and sweat soak on the charging contacts. Details are on testing and inspection.

Catalog and logo programs run 20-35 days in batch production; full OEM runs 45-75 days, excluding certification queues. These are typical reference ranges, confirmed in writing for each program on MOQ and lead time. Send your target market and tuning preference through the quote form.

Questions buyers ask

Q01How loud are open-ear audio glasses?

Manufacturers in this category state peak loudness of about 75 to 90 dB SPL at the ear, under their own measurement conditions. Ask for the test conditions and compare models on the same acoustic test during sampling rather than on the stated figure alone.

Q02Can people nearby hear what I am listening to?

Some sound always escapes from an open speaker. Leakage is reduced by port direction, chamber design, a reverse-phase vent and the firmware volume curve, and it is verified in an acoustic test at set volume steps on the golden sample.

Q03Can the acoustic tuning be customised?

Yes, but changing the chamber, port or tuning target is full OEM work, typically from 3,000 pairs per model with a 30-60 day engineering sample. App EQ presets on a catalog model can be adjusted within a logo program.

Q04Are open-ear glasses good for calls?

Dual or quad microphones with ENC handle everyday calls well; four mics allow beamforming for wind and traffic. If calls are the main use, the business call line invests more in the mic array and multipoint pairing.

Q05Do open-ear audio glasses replace earbuds?

They suit people who want the ear open to their surroundings and wear the frame all day. Earbuds still isolate better in loud places. The comparison of awareness, comfort and calls is covered in the audio glasses vs earbuds article.

Send the lines you need, target specs, the quantity per model and your market. The desk replies in writing with matched plants, a spec sheet, certification routes and the reference MOQ.

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